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Digital mixing has revolutionized virtually everything in the live entertainment production work flow and now that same cutting-edge technology brings live production signal distribution into the modern age. The MIDAS mic preamp is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium grade components lead to the acclaimed warmth and depth bring out subtle ambience maintain spatial positioning and more effectively capture a precise image. The acclaimed sound of the award winning MIDAS PRO microphone preamplifier has inspired generations of live sound engineers to their best work creating sonic landscapes that have captivated audiences worldwide. The DL16 features the very same preamp found in the highly-acclaimed PRO Series consoles. Connecting over a single shielded STP CAT5 cable up to three DL16s can be daisy-chained to deliver 48 channels in and 24 out to the stage. AES50 simultaneously provides high channel counts extremely low and deterministic latencies accurate phase-aligned networked clock distribution error detection network redundancy with simple deployment and ease of use to meet the needs of the live performance industry. This unique combination also benefits both live and studio recording applications as well as post-production broadcasting and audio routing infrastructure. Communicating between the stage and Front of House was never easier. The DL16s ingenious monitoring / head amp control section allows you to select any one of the 16 inputs or eight bus outputs for immediate line checks. In addition to signal metering at the stage box you can set individual channel gain apply +48 V phantom power plus you have the option listening directly to the input signal.